Dana Hoey Presents was an exhibition at Petzel Gallery in NYC. I was invited by the artist Dana Hoey to contributed a sound installation and performance of Agentic Mode.
More info about the exhibition:
“During the run of Dana Hoey Presents, my role will be that of Svengali,” Hoey says. “Although I make work as a single subjective, expressive artist, I prefer to emphasize my position as a participant in a larger social construct.”
For her own work, Hoey will present Ghost Stories, highly subjective, surreal lightbox collages, made from images shot by Hoey, and a logo designed by David Knowles, which will recur elsewhere in the show. The people featured in these photographs will also be presented in a separate room as poster-style portraits featuring their names and occupations. In the labeled posters Hoey’s aim is to surface the power dynamic of portraiture, particularly as it relates to a white artist taking the image of non-white people. Hoey will also present a 14’ tall stop-action photograph of the great boxing World Champion Alicia “Slick” Ashley shadowboxing. Ashley, a fighter as seasoned and skilled as Mohammed Ali, holds 3 Guinness World records and many World Titles, yet she remains unknown to most Americans.
“I invited Marcela Torres to be in this show because her work intersects with mine in dynamic ways,” Hoey explains. “She is first and foremost a performance artist who directly visualizes and attacks the currents of power acting on her queer brown body.” Torres works with fight training devices (speed bags, heavy bags), that have been mic’ed and the sound amplified and remixed. For Dana Hoey Presents Torres will present Agentic Mode, a 40 minute performance that employs audial soundscapes, martial arts movement and spoken word to contemplate contemporary violence as a lived war zone. The instruments she uses for the performance and the recorded sound will live on in the heart of the show after the live performance.
Dana Hoey is a feminist artist working in photography, video and social practice. She most recently exhibited Five Rings at the Detroit Museum of Contemporary Art, which featured self-defense classes for young women from the Police Athletic League and the local community. Three books are available on her work: The Phantom Sex, with essay by Johanna Burton; Experiments in Primitive Living, with essay by Maurice Berger; and Profane Waste, in collaboration with the writer Gretchen Rubin. Her persistent interests are conflict and the possibility of political art.
Marcela Torres brings into action performance, objects, workshops, and sound installations that investigate the interpellation of our diaspora.